25 Gorgeous Jumbo Box Braids With Curls

01Classic Waist-Length With Curly Ends {#1}

Waist-length jumbo box braids in dark brown with the final six to eight inches curled into soft loose waves…

The benchmark version, and the one to master before you try anything fancier. Full jumbo braids in a natural dark brown (think 1B or a warm 2/4), braided tight to roughly hip level, then left loose and curled for the final six to eight inches. The long braided body keeps the silhouette structured and vertical while the curl adds a swish of movement when you turn your head. Vertical length elongates the frame, and because the soft ends land right at the jaw-to-shoulder line, this flatters round and square faces and suits nearly everyone else. Expect the curl to relax a little after the first week; a quick hot-water re-dip at the two-to-three-week mark brings it back. Wrap only the curly section loosely in a satin scarf nightly, and sleep on a satin pillowcase so the tips don't frizz against cotton. It carries a bold lip and hoops without competing for attention. Ask your braider for jumbo box braids curled at the ends only, using pre-stretched or water-wave hair set after braiding rather than pre-curled packs, which loosen faster at this length.

02Jumbo Knotless With Water-Wave Ends {#2}

Jumbo knotless box braids in natural black with flat scalp roots and water-wave curly ends, side angle show…

Jumbo knotless box braids start with a small section of your own hair, then feed extensions in gradually, so the root lies flat with no anchoring bump and far less pull at the hairline. That's why this is the most edge-friendly option on the list. Finished with water-wave hair, the ends fall in relaxed S-shaped curls that mimic a blown-out natural texture rather than a tight coil, so the braid-to-curl transition looks natural instead of stitched-on. It suits tender scalps, fine edges, and anyone prone to tension headaches after a knotted install. Keep the parts clean and the sections even, because knotless drape shows any crookedness the moment the braids move. Longevity runs a touch shorter at the very ends since water wave loosens with washing, so plan a light re-dip around week three. Ask that the feed-in be spread across the first full inch rather than dumped in at once; that's what actually keeps the root flat and comfortable. Request jumbo knotless box braids with water-wave curly ends and a gradual, staggered feed-in.

03Honey-Blonde Curly-Tip Jumbo Braids {#3}

Jumbo box braids in honey blonde with loose curly ends against a warm ivory backdrop, three-quarter front a…

Honey blonde, roughly a warm 27, sits in the golden middle ground between caramel and platinum, and it flatters medium-to-deep skin with warm or neutral undertones by echoing the gold already in the skin rather than fighting it. Braided in a single honey shade and curled at the tips, the color shows brightest along the curl where light catches the loops, so the ends get built-in dimension. Lighter synthetic braiding hair tends to feel drier and coarser than dark, so choose a soft, low-shine curl and mist the ends with a lightweight, water-based leave-in to keep them defined and touchable instead of crispy. This one photographs well in open shade and golden-hour light. Cool-undertoned skin can lean toward a beige- or ash-honey instead to avoid tipping brassy. Bring a physical swatch or the exact brand and color code: "honey" varies wildly between hair lines, and a phone photo won't survive salon lighting. Ask for warm honey or 27-toned braiding hair with curly ends, and have your colorist or braider confirm the warmth against your jaw before committing all the packs.

04Short Curly Bob Box Braids {#4}

Chin-length short jumbo box braids with curly ends framing the face, clean center parting, studio taupe bac…

Short jumbo box braids land between the chin and the shoulder, and the curled tips round the bob into a soft, bouncy shape instead of a blunt block. Practically, this length is a workhorse: lighter on the neck, faster to wash and air-dry, easy to tuck or clip for the gym or a shift. The curl does real structural work here. It keeps a short, thick braid from looking boxy, and the added width at the jaw balances longer, oval and heart-shaped faces especially well. Because there's less length to weigh things down, the curl holds its shape longer between refreshes, often a full three weeks. Keep the interior ends from matting by finger-separating them nightly before you wrap. It pairs well with statement earrings since the neck is exposed. Confirm the exact finished length against your collarbone in the mirror before the first braid is sealed. A bob is unforgiving if it lands an inch off, and it can't be lengthened afterward. Ask your braider for a bob-length jumbo box braid with curled ends and a consistent, level finish line all the way around.

05Half-Up Bun With Cascading Curls {#5}

Jumbo box braids styled half up in a top bun with the rest cascading into curly ends down the back, three-q…

This is a styling move rather than a different install, which makes it the most versatile entry here: gather the top third to half of your braids into a loose bun at the crown and let the rest fall into their curly ends. The raised bun lifts the face and clears hair off the neck, while the curls handle the drama below, so you get polish and softness in one thirty-second update. It works best on mid-back or longer braids so the loose section still reads as a cascade rather than a stub. Use a large, snag-free spiral tie or a length of braiding hair to bind the bun so you don't dent the braids. To keep the crown smooth, apply a little edge control or light gel at the hairline before gathering, then tie a scarf over it for five minutes to set. Vary the bun height: a high topknot feels sporty, a soft crown bun feels romantic. No special braider request is needed. This one lives entirely in your own hands once the braids are in.

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06Burgundy Ombre Curly Jumbo Braids {#6}

Jumbo box braids fading from dark roots to burgundy curly ends, side back view, warm blush background

An ombre that stays dark at the root and melts into a deep burgundy (think a wine-toned 99J or a soft 530) toward the curly ends gives real dimension without an all-over color commitment, and it keeps regrowth invisible since the root is meant to be dark anyway. Placing the burgundy exactly where the curl sits is the trick: the loops look rich and glossy, and the wine tone deepens as it catches shadow. Burgundy is forgiving across skin tones because it carries both red warmth and a cool plum edge, so it flatters warm and cool undertones alike and skews autumnal. Pre-colored synthetic curl can loosen a little faster than virgin-black hair, so keep the ends conditioned with a light spray and refresh the curl around week two to three. It pairs well with berry and plum makeup and gold or rose-gold jewelry. Ask for a rooted, gradual melt rather than a hard horizontal line, with the color concentrated in the curled section only. Request a rooted-to-burgundy ombre with a soft blend and the depth built into the curls, not smeared up the shaft.

07Middle-Part Symmetrical Jumbo Braids {#7}

Jumbo box braids with a precise center part and symmetrical square sections, curly ends, front three-quarte…

Parting is where a jumbo style is quietly made or broken, and a clean center part with mirror-image square sections is the most classic, intentional-looking foundation there is. This jumbo box braids parting pattern frames the face evenly, which looks polished and balanced, and it suits oval and heart shapes especially well since a straight center line adds vertical length and draws the eye up and down. The crisp geometry of even squares at the scalp plays against the softness of the curled ends, a deliberate hard-soft contrast that photographs with depth. Because a center part exposes the scalp line, precision matters: uneven boxes or a wavering part will show in every photo. It's also the easiest pattern to maintain and re-oil, since the grid is predictable and you can find each row by feel. Have your braider comb the center part with a rat-tail comb and show you the line in a hand mirror before a single braid is locked. It can't be moved later without redoing the whole crown. Ask for a straight middle part with even square sections and curled ends.

08Goddess Jumbo Braids With Curly Wisps {#8}

Goddess-style jumbo box braids with loose curly wisps escaping along the length, bohemian texture, three-qu…

Goddess braids leave soft curly pieces out along the braid shaft, not just the tips, so texture escapes the length in a deliberately undone, bohemian way. Those wisps break up the solid column of a jumbo braid and feel romantic and lived-in, which is why this look photographs with so much depth. It does ask for more hands-on styling: the loose pieces need to be finger-placed where you want them, and because they sit free of the braid they tangle and matte if you ignore them, so smooth and lightly re-curl them nightly and mist with a slip spray. Curl-pattern consistency matters here, so choose a wispy, pre-curled hair that blends with your own texture rather than sitting on top of it. It flatters most faces because you can concentrate wisps to frame or soften specific areas: temples, jaw, or the part. Specify roughly how many curly pieces per braid, because "boho" left open-ended can come out sparse or overwhelmingly busy. Ask for goddess-style jumbo braids with curly hair left out along the length, and agree on wisp density with a reference photo before install.

09Chunky Braids With Spiral Curl Ends {#9}

Chunky jumbo box braids ending in tight spiral ringlet curls, dark brown, back view on deep-skin model

Where most looks here finish in a loose wave, this one ends in defined spiral ringlets for a springier, more sculptural tip. The tight coil contrasts sharply with the heavy braid above it, and spring-curl or perm-rod-set hair holds that shape well between washes, longer than a soft wave ever will. Ringlet ends bounce with every step and photograph with dense, dimensional texture, so they suit anyone who wants the curl itself to be the statement, not an accent. The trade-off: tight synthetic curl can catch and knot at the exact point where braid meets coil, so separate the ringlets gently with your fingers, never a brush, and dip to reset when they slacken. Curl tightness varies a lot by hair brand, from a loose corkscrew to a pencil-tight spring, so the label alone won't tell you what you're getting. Name the diameter you want, "pencil-tight" versus "marker-width," so the result matches what's in your head. Ask your braider for jumbo braids with spiral or spring-curl ends and specify how tight the ringlet should be, ideally with a swatch.

10Jet-Black Jumbo Braids, Loose Wave Tips {#10}

Jet-black jumbo box braids with loose beachy wave ends, high shine, three-quarter side angle, ivory studio …

Sometimes the cleanest choice is the strongest one. Jet-black jumbo braids (natural black or a true 1B) with loose, beachy wave tips look sleek and high-contrast, and dark hair photographs glossiest because it reflects the most light off a smooth braid. The relaxed wave keeps the ends from feeling heavy or over-styled, so the whole look stays low-key rather than done-up. This is the go-with-everything, low-decision option: it flatters every skin tone and undertone, moves from the office to a night out without a single change, and hides the sealed braid tip cleanly. Because there's no color processing, the fiber stays strong and the curl behaves predictably from install to takedown. Keep the wave soft by dipping at a lower water temperature and finger-shaking the loops rather than defining them tightly. It pairs with any makeup and any jewelry metal, warm or cool. For that undone finish, ask for the curl to be left "loose and airy," since a braider's default is often a tighter, more defined set. Request natural black or 1B braiding hair with loose wave ends and a low-heat dip.

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11Side-Swept Jumbo Braids With Curls {#11}

Jumbo box braids swept over one shoulder with curly ends resting at the collarbone, deep side part, front a…

A deep side part with the full length swept over one shoulder is the fastest way to make a jumbo style feel dressed up, red-carpet energy from an everyday install. The curly ends pool at the collarbone and pull the eye down and diagonally across the face, a line that softens round and square shapes and adds a flattering asymmetry to symmetrical ones. It looks elegant for events yet takes seconds to arrange each morning. The sweep itself is a styling choice you can create over any center or side install, but the part needs real depth: start it above the arch of one brow. That holds the drape better and gives more volume on the fuller side. Train the braids to fall consistently by tucking the shorter side behind the ear and pinning it flat underneath. For photos and events, sweep everything to one side the night before and wrap it in that direction so the braids "learn" the fall and hold it through the day. Ask your braider for a deep side part with curled ends, then finish the sweep yourself at home.

12Caramel Highlights and Bouncy Ends {#12}

Jumbo box braids in dark brown with caramel highlights woven through, bouncy curly ends, three-quarter back…

Weaving caramel, a warm golden-brown roughly a 30, through a dark-brown base adds face-brightening dimension without the upkeep or commitment of going fully blonde. Because the highlights show strongest in the curled section, where the two tones tumble together, the bouncy ends look layered instead of flat. This is the pick when you want warmth and lift around the face while keeping dark, low-maintenance roots, and it flatters warm and neutral undertones on medium-to-deep skin. The effect is built entirely during install by alternating a caramel braiding-hair color with your base color across sections, so placement is fully controllable and needs no bleach. Concentrating the lighter packs near the hairline and part creates a subtle spotlight on the face. Cluster a few caramel braids specifically at the front and along the part; scattered single highlights can look muddy at jumbo scale, where each braid is large and reads as its own block of color. Ask your braider for a dark-brown base with caramel highlights concentrated toward the curly ends and framing the face, not evenly speckled throughout.

13Triangle-Part Jumbo Box Braids {#13}

Jumbo box braids with a triangle parting pattern across the scalp, curly ends, top-down three-quarter view …

Swapping squares for triangles gives a distinctive jumbo box braids parting pattern that does two useful jobs: the angled bases interlock to hide scalp gaps between large sections, and the tapered roots let the braids fan out and lie more naturally without a pillowy gap at the crown. Against curly ends, the sharp triangular geometry at the scalp sets up a satisfying contrast with the soft loops below. This pattern is more demanding than squares, since uneven triangles show instantly from above, so it rewards a braider who is confident and methodical with sectioning. It also tends to sit better on thinner-density hair, since the interlocking bases minimize visible scalp and fake fullness. Maintenance is the same as any jumbo style, though the crisp crown is worth protecting with a satin bonnet so the geometry stays sharp. Check the crown pattern from above with two mirrors before the ends are curled. Reworking triangles later means unpicking the whole section and starting the crown over. Ask your braider specifically for a triangle-part jumbo box braid with curled ends and even, mirrored triangles across the crown.

14Bob-Length Knotless With Curly Ends {#14}

Shoulder-length jumbo knotless box braids with curly ends, flat roots, three-quarter angle on light-brown skin

This combines the two most edge-friendly ideas on the list, knotless roots and a shorter length, into arguably the gentlest jumbo option overall. Shoulder-length knotless braids carry almost no weight, so the pull on your hairline is minimal, and they move easily, tuck behind the ears, and stay comfortable through long days and workouts. The flat, feed-in root looks natural and the curled tips keep the bob soft rather than stubby. It's the ideal entry point for anyone new to jumbo braids, or for anyone actively protecting fine or recovering edges, because the low weight and short length together cut tension risk to the minimum. Drying and washing are quick given the length, which also means less time damp against the scalp. Ask the braider to keep the feed-in gentle and gradual across the first inch and to avoid over-tightening the very first stitch. That first stitch is exactly where hairline tension and little bumps start. Request jumbo knotless box braids at bob length with curled ends and a soft, staggered feed-in at the root.

15High Ponytail With Curly Jumbo Braids {#15}

Jumbo box braids gathered into a high ponytail with curly ends spilling out, sleek gelled base, side profile

Pulling all the length into a high ponytail and letting the curly ends spill out is a sporty, instantly face-lifting look that shows off your whole curl pattern at once. A sleek, gelled crown keeps the base smooth and taut while the ponytail gives the curls a concentrated burst of volume up top. It clears hair off the neck on hot days and looks polished for a workout, an event, or a quick errand. This is purely a styling choice with no special install needed, but it does require enough length: mid-back or longer braids give the tail real drop, while shorter braids sit stubby and stunted. Bind the base with wrapped braiding hair rather than a visible elastic for a cleaner, more finished look. A high, tight pony concentrates tension right at the hairline, where you least want it, so keep this an occasional style rather than your daily default, and vary the height between wears to spread the pull. No braider request is needed beyond enough length to gather comfortably at the crown.

Save this to Pinterest if you love a versatile up-do.

16Copper-Red Curly-Tip Jumbo Braids {#16}

Jumbo box braids in vivid copper red with curly ends, three-quarter back view, warm taupe studio background

Copper red is the statement color of the group, a warm, glowing orange-red (think a 350 or a bright ginger) that lights up deep and medium skin with warm or neutral undertones and looks richest in natural light. In a jumbo braid with curly tips, the copper shows brightest exactly where the curl catches light, so the ends become the clear focus. It's unapologetically bold, best for anyone happy to be the color story in the room, and it ranges widely, from a muted, brandy-toned ginger to a near-neon pumpkin. Vivid synthetic reds can fade or dull under harsh, prolonged sun, so keep them out of direct midday exposure and rinse in cool water to preserve saturation. It pairs strikingly with gold jewelry and warm-toned makeup: bronze, terracotta, brick. "Copper" spans such a wide band that it pays to bring a physical reference and say whether you want it muted or vivid. The difference between a wearable auburn and a bright orange can be one shade code. Ask your braider or colorist for copper or ginger-red braiding hair with curly ends and a specified intensity.

17Boho Jumbo Braids With Human-Hair Curls {#17}

Boho jumbo box braids with curly human-hair pieces left loose throughout, natural texture, three-quarter angle

Boho jumbo braids add loose curly human-hair pieces along the braid for a soft, believable finish that blends into your own texture rather than sitting on top of it. The real advantage of human hair over synthetic here is behavior: it can be wet, brushed, restyled and even lightly heat-set, so the curls move naturally and photograph with real depth and shine. The trade-off is upkeep and cost. Human-hair curls tangle and need gentle, regular detangling with a wide-tooth comb or fingers and a slip spray, and they sit at the higher end of the price range. This look suits anyone who dislikes a uniform, plasticky braid and wants something organic and undone. Density is everything: too many loose pieces look heavy and messy, too few look sparse and accidental. Decide the amount of curly hair together with your braider and start conservative. You can always add more, but removing it means unpicking finished braids. Ask your braider for boho jumbo braids with curly human-hair added and an agreed fullness, and confirm whether the curls are steam-set (holds better) or air-dried.

18Waist-Length Deep-Wave Curly Ends {#18}

Waist-length jumbo box braids finished with deep-wave curls, dark brown, dramatic back view showing full le…

For maximum drama, take the braids to the waist and finish with deep-wave curls that create a full, cascading fan of texture at the bottom. Deep wave has a defined but relaxed S-pattern, tighter than a loose beach wave, looser than a spiral, so it fills out the silhouette and adds body without looking crimped or stringy. The payoff is undeniable length and movement; the cost is weight. At the waist, the extra hair pulls hard on the roots, so this is exactly where knotless construction earns its keep, and where over-tightening the hairline becomes a real risk. Protect the wave by wrapping the curly section nightly and refreshing it around week two to three, since a longer curl loosens under its own weight faster than a short one. Raise the question of knotless roots explicitly at booking. The weight-to-comfort math at this length is different from a bob, and a knotted base can trigger tension headaches within days. Ask your braider for waist-length jumbo braids with deep-wave curled ends and discuss knotless roots specifically to ease the load.

19Two-Tone Brown Jumbo Braids {#19}

Jumbo box braids alternating light and dark brown in a two-tone pattern with curly ends, three-quarter view

Alternating two shades of brown, one light (a warm chestnut or 4) against one dark (a 1B or 2), across the sections creates a subtle two-tone effect that's more interesting than a solid color yet still fully natural and workplace-appropriate. The blended browns come alive in the curled ends, where both tones tumble and mix as they fall, so the depth concentrates exactly where the eye lingers. It flatters nearly every skin tone because you're staying inside a neutral-to-warm brown family with no jarring contrast, and it needs no bleaching. The effect is built entirely by switching braiding-hair colors between sections during install. You control the rhythm: evenly alternated braids look like a soft, all-over marl, while clustered tones look more like broad, deliberate highlights. Decide up front whether you want the two shades evenly mixed or grouped. The two looks are strikingly different and can't be adjusted after braiding without redoing sections. Ask your braider for a two-tone brown jumbo braid, light and dark blended, with curled ends, and specify the distribution with a photo.

20Curly Fringe Jumbo Braids {#20}

Jumbo box braids with a soft curly fringe framing the forehead, rest of length braided, front angle

Leaving a few front braids shorter and curly builds a soft fringe that frames the forehead, a smart proportion trick for long and oblong faces, because it shortens the visual length of the face and draws attention to the eyes. The curly bangs feel youthful and editorial, while the rest of the length stays long behind them, so you get the softening effect without sacrificing drama or length. The front pieces need daily attention: they're the most visible part of the style and will shift as you sleep, so re-shape and lightly re-curl them each morning and pin them back at night. It layers over almost any base length or color. Set the fringe length against your brows or cheekbones and look straight ahead in a mirror before those front braids are locked. A fringe set too short can't be lengthened until it grows out or is redone. Ask your braider for a curly fringe or curtain-style front pieces on your jumbo braids and confirm the length against your own face before install.

21Silver-Gray Jumbo Braids With Soft Curls {#21}

Jumbo box braids in silver-gray with soft curly ends, three-quarter back view, muted blush background on de…

Silver-gray is the unexpected, high-fashion choice, a cool, modern tone that looks especially striking against deep skin with cool or neutral undertones, where the contrast turns editorial. Soft curly ends keep the gray from feeling austere and add a note of romance that a slick, straight silver braid would miss. It ranges from a cool, steely platinum to a warmer, smoky graphite, and the two look very different against the skin: cooler steel is sharper and more graphic, warm smoke is softer and more wearable day to day. Pale hair shows product buildup, oil and lint far more than dark, so keep the ends clean, lightly conditioned and wrapped at night, and avoid heavy oils near the length that would dull the tone. It pairs well with silver jewelry and cool-toned makeup: plum, mauve, cool berry. Specify steel versus smoky gray with a physical reference. The undertone alone determines whether it flatters you or washes you out. Ask your braider or colorist for silver or gray braiding hair with soft curled ends and name the exact undertone you want.

22Mid-Back Jumbo Braids, Half Curled {#22}

Mid-back jumbo box braids braided halfway then curled for the lower half, dark brown, side back angle

Instead of curling only the final inches, this version braids to roughly mid-length and leaves the entire lower half loose and curled, so it sits deliberately between a fully braided style and a curly one. The longer curled section shows far more texture and builds a fuller, rounder shape than a tip-only curl, which is the whole appeal for anyone who wants the curl to be a real presence rather than an accent. Expect proportionally more upkeep: a longer curled portion means more surface to smooth, wrap and refresh, so plan a re-dip around every two weeks and nightly satin protection over the loose half. It flatters those who want volume and movement through the body of the style rather than just at the ends, and it balances a longer torso. Mark and confirm exactly where the braid should stop, ideally at your natural mid-back or bust line. That transition point defines the entire balance of the look and can't be raised later. Ask your braider for jumbo braids braided to mid-length with the bottom half left curly, and physically confirm the stopping point in the mirror.

23Chunky Side Part With Ringlet Ends {#23}

Chunky jumbo box braids with a bold side part and tight ringlet ends, three-quarter front view, ivory backdrop

A bold side part paired with extra-chunky braids and tight ringlet ends makes a glamorous, old-Hollywood statement, more sculpted and deliberate than the softer looks here. The heavier braid width plus a defined coil at the tip gives a vintage, finger-wave-adjacent feel, while the deep asymmetry of the part softens and slims the face, flattering round and square shapes in particular. Practically, fewer and thicker braids mean a noticeably faster install, so this is one of the quicker sessions on the list. The trade-off of extra-chunky braids is more weight per section, so watch tension at the roots and keep the part line clean and crisp. Ringlet tips need gentle finger-separation to avoid knotting where the coil meets the braid. Agree on braid thickness explicitly at booking, ideally with a reference photo, since "chunky" is subjective and thicker means fewer total braids, a heavier feel and a very different final look. Ask your braider for a deep side part with extra-chunky jumbo braids and ringlet or spiral-curl ends, and settle on section size before the first braid.

24Pastel-Tip Curly Jumbo Braids {#24}

Jumbo box braids in dark brown transitioning to pastel-lavender curly tips, three-quarter angle, soft studi…

For a playful pop with almost no commitment, keep the braided body natural and switch to a pastel, lavender, soft pink or powder blue, only in the curly tips. Because the color lives just in the loose ends, it's the lowest-risk way to test a trend: tuck it into a bun to hide it for work, and removing the look means removing the braids, not stripping color from your own hair. Pastels feel sweet and summery and photograph best in soft, diffused light, where their delicacy shows; hard direct sun tends to flatten them. They suit cool and neutral undertones especially, and the muted tone keeps the effect gentle rather than costume-y. Pastel synthetic hair varies a lot in saturation between brands, from barely-there to surprisingly vivid. Bring a physical swatch and pick a color that passes as a true pastel, not a washed-out bright, so the tips look intentional rather than faded. Ask your braider for natural roots with pastel curled tips in your chosen shade, and confirm the intensity against the swatch in daylight before install.

25Low Bun With Face-Framing Curls {#25}

Jumbo box braids in a low bun with a few curly braids left loose to frame the face, elegant three-quarter view

Sweep the braids into a low bun at the nape and pull two or three curly braids loose to frame the face, a soft, grown-up finish that works for the office, a wedding or dinner. The low, sleek bun looks elegant and put-together, while the loose curly pieces at the temples keep it from looking severe, the deliberate softness that separates a chic knot from a stiff one. It's a five-minute style once your braids are installed and needs nothing from your braider, only enough length to wrap into a knot at the nape and a couple of pieces left out at the front. Smooth the crown with a little edge control before wrapping, and pin the bun with U-shaped pins that grip braids without slipping out. Curl the two face-framing pieces slightly tighter than the rest and set them the night before with a rod or flexi-rod, so they hold their shape through a long day. This is a home-styling look you can master with practice and a handful of pins, no salon visit required.